You Probably don’t Need a Plane Made Less than 60 Years Ago

This is the first in a series of posts where I’ll address what makes you productive if you’re working by hand. This often draws people who use mostly power tools and cut joints and smooth plane some wanting to discount this advice. It may also conflict with what you will hear from the gurus who never really work by hand in the first place and who may run classes where using something that’s not ready to go would be catastrophic. Those classes are fine for starting out, but you don’t want to be a beginner forever, and at some point, you’ll realize that most of the older tools are more appropriate if you’re working entirely or mostly by hand. If you’re one of the minority who wants to have the physical satisfaction and the same feeling you’d get from a brisk walk – the mental and physical pick-you-up, as well as the skill development that comes from actually roughing wood (no kidding, getting good at the rough work makes the fine work intuitive), then you have to tune out the self-appointed experts. Those experts will usually tell you about edge retention based on the tool (you are the key to edge efficiency in the cycle of work, not the types of stones you use and not the alloy of the steel), and perhaps include their comment that you are wasting your time working by hand. If you take their advice, you’re really wasting your time.

The Case for Tools that Will Be More Efficient

Planes that get you instant success and plans that get you to be physically efficient (where work is predictable and your energy is spent on removing wood vs. making friction or lifting heavy tools) aren’t really the same. The first wooden plane that I purchased had an ill fitting wedge – very ill fitting. I incorrectly assumed that wooden planes were probably always a bit loose and difficult to use and maybe they came from an era where wood was soft, very straight and easy to work. I was wrong about that – fitting the wedge properly and understanding the use of the cap iron were key, but so, too was getting some familiarity with lots of little nuances. It’s almost impossible to hand-work wood efficiently with metal planes doing the rough and middle work. No matter how much of it you do, if you experiment in measuring your output over a set period of time, the slight increase in inclination needed to use wooden tools for the rough and middle work is the only direction to go. How big is the difference in your output (not to mention, your fatigue). Somewhere around 1.5 or 2 to 1 in volume of work done with a wooden jack and try plane vs. a metal jack and metal jointer. The more you move toward heavier metal planes, the worse your output will be. Premium metal planes are generally fine for following power tools and doing limited work, and they’re great for giving you a feel for how well a plane can work, but if you’re doing significant work by hand, they’re toxic.

This is a real bummer to me, personally, as I’d built 4 infill planes before finally recognizing that they’re not an upgrade for an experienced user. And even beyond that, if you work backwards to planes used around 1900, you’ll find most infill smoothing planes are closer to a stanley plane in weight than they are to whatever’s being marketed as a super heavy, super flat “improved” plane. I still have a love for infill planes (and still have about a dozen of them), but they’re not on the bench for long in a volume of work. I simply have them because I like them, but they become intolerable if you’re dimensioning wood and any more than a very small amount. Keep the wax handy and bring a canteen!

What then is an efficient set of planes for dimensioning and smoothing?

  • An English style jack around 15-17 inches with an iron 2 1/8 -2 1/4 inches (continental style is fine, too, if you like that – avoid adjusters, though).
  • An English style try plane around 20-24 inches (I’ve seen 24 inches referred to as a “long” plane) with a 2 1/2″ iron (or perhaps a quarter narrower if you find that too hard to work – but persist before you decide you can’t handle a 7 pound wooden plane with a 2 1/2″ iron). Continental is fine here, too – avoid the adjuster again.
  • A Stanley 4 (or 3 if you like) smoother (in comes one metal plane – if the try plane does its job, smoothing is spectacularly quick and this is the one case where you’ll find the adjuster useful). Common pitch, stock iron and chipbreaker – you can replace those but if the stock versions in your plane are good, thicker/harder/more carbides – none of those equate to more work done, but may equate to less. If you feel they do, you need to work on your sharpening cycle time. More on this in another post – but safe to say, an experienced user won’t find any benefit with increased abrasion resistance in steel.
  • Stanley 7 or 8 – For the occasional poorly selected wood or prissy jointing work where you want a very fine joint, a sized bailey pattern plane is nice. You don’t need a 10 or 11 pound jointer, and in the case of wooden planes, I don’t think a 28″ jointer is favorable. They generally have a long nose and you won’t use them much, so the efficiency of the wood contact is lost. Interrupted cut trashy wood will also hammer your wedge loose. You’ll find in general that once you’re good with the try plane, you’ll be able to make unseen glue joints without resorting to tissue shavings (which can be a waste of time when they’re not needed), and stock large enough to need a longer plane will be uncommon. If you have a little trouble at first, the metal jointer can be helpful, just as it’s helpful in wood that really won’t tolerate a jack plane at all (such as knotty wood or wood dominated by grain runout in every direction).

Do I have a lack of exposure to tools? No, I’m sure my total take from LN and LV in the last 15 years is five figures or nearly touching it. At one point, I had an LN 8 and LN 7, and bevel up LV planes at the same time. I’ve had at least fifteen planes between the two, but I no longer have any. They’re more effort to use in work, and the seeming advantage of “modern steel” in them really doesn’t hold water in anything other than ideal conditions. Again, more on that elsewhere.

This advice isn’t an oppositional viewpoint, it’s what constructive laziness will get you. Constructive laziness is an odd thing. is it more effort to dimension wood by hand? I guess that depends on what you like to do. I would find taking a lot of my shop’s footprint with stationary tools agonizing, as I would dealing with sanding dust, saw dust and a reasonable dust collection setup. I’ve skipped those. I find hand dimensioning pleasant (though it took a while to figure that out) and much like a brisk walk. If you’re fighting friction or woodworking like you’re pushing a tackling dummy or handsawing leaning over a sawbench holding your entire body up while you slash saws around, then you’re working against yourself and you’ll need a nap. Constructive laziness is about figuring out what keeps you in that brisk walk territory, using more subtle movement to create smooth constant output, and doing so in a way that’s rarely uncomfortable.

This entire idea, doing something efficient, predictable, in rhythm is why you can’t rely on advice from anyone telling you that you can’t make anything entirely by hand.

There is an Obligation, Though

You’re going to need to understand how tools work. Everything is incremental in life – anything you learn to do well. You understand little bits at a time and then they become trivial. The cliquish recommendations that you find online (though to be fair, with an equally cliquish “old tools only” counterpoint from experts who sell a lot of woo) leave you wanting to know one trivial fact after another, but those bits of advice don’t often connect and help you understand much.

The obligation is that you’ll need to understand how tools work, how you get them set up if they don’t come as nicely set up as you’d like, and how you maintain them in the cycle of work. It’s a little bit different than what you’ve read from writers who write articles for a living or teach beginners.

You are working toward the point, instead, where feel, judgement, work are intuitive and you’re going to be more influence. A simple example is the almost certain fact that when you first start, if you buy a Lie-Nielsen bronze smoother (A lovely plane, and a great idea if you’re looking for one tool that will show you what to expect from your own), it will almost certainly be easier for you to start on the near ends of boards, the plane will have a great chance of being dead flat, and fine adjustment will be easy. But you’ll eventually find it nose heavy, with lots of friction and once you learn to manipulate the Stanley at the start of a cut and it’ll be less work to use. I kept a bronze 4 for a very long time just because I admired the tool and the effort LN made to make it work so well out of the box. But in the end, it was just more effort to use than a good stanley example, and I appreciate the faster adjuster on the stanley. You might, too. The issue of being harder to start just goes away on its own – when it does, you probably won’t remember that.

Your obligation is putting in the time to get there, knowing it will become pleasant and trivial, and the skill and control and contribution to your own constructive laziness will find utility everywhere. Your obligation is to understand that you can learn every aspect of something like a stanley 4 or a wooden try plane relatively easily and then learn to manipulate them, and your familiarity with this smaller set will allow you to plane anything that can reasonably be planed (or scraped) without feeling the itch to buy a large scraper plane, or some other quick fix like that. You can go down that route (I did – curiosity and experimentation led me to have both premium large scraper planes, a stanley #112, a bunch of very steep rosewood planes – they just don’t do much for getting anything done, even though they’re fun to plane with). Doing everything by hand will quickly give you the ability to do all of those “difficult wood” tasks with your core set of tools just as a matter of trivial moderate exercise. No steep frogs, no scrapers, no specialty alloys need, and no double weight planes.

8 thoughts on “You Probably don’t Need a Plane Made Less than 60 Years Ago”

  1. Nice start David. You have successfully crushed most of my costly efforts toward efficiency with hand tools… 😉 Know anyone who wants an LN bronze #4, the steep frog for it, an army of A2 and V-11 cutters, and some pretty knives for LV routers? But, I won’t whine or heckle. … A lot.

    Like

    1. Hah…I feel comfortable about writing this as I’ve bought everything. The boutique tools do what they were designed to do in most cases – get most of the market into and past something they’re trying to solve. They taught me a valuable less about what’s possible. What drove me away from them was getting into some situations requiring significant wood removal where and high pitched frogs, scrapers, etc, really don’t move the needle -they get exposed as soon as you want to increase volume.

      I loved the bronze 4 for every reason other than something that would result in daily use for more than a short period. It’s stable, it’s pretty, it’s smooth – LN does a wonderful job making it what people want. In the end, it sold very well on a penny auction on ebay – and that’s a great bookend to it. What did it in was a half hour into dimensioning, it’s a pound or more heavier, and the weight is in the nose – the same thing that makes the old wooden jointers more tiring than just their extra weight. You feel that when you get a little tired , and then you start to anticipate it.

      Like

    2. I would also be smart to look through folks blogs to find…like…you already know everything I said above because we already know each other!

      Like

  2. Great stuff, really appreciate the perspective on what’s really efficient for the lazy man who wants to get the most out of his shop time.

    I’m thinking of making myself a set of wooden planes: jack/fore, try, and smoother. What are your thoughts on camber radiuses for jack and try planes?

    Like

    1. I think camber is something you experiment with and you can really only find what’s optimal in a volume of work. It doesn’t hurt to have two jack planes for camber there. You can set one steeper than another and compare in work. In my opinion, the harder the wood, the better you’ll like more camber because it’ll make a plane easier to use in harder material.

      In softer wood, something a little less is nice because you can still take a hefty shaving, but you’ll have less follow up work to do with the try plane vs. having really deep scallops.

      but you won’t end up knowing numbers, you’ll know what looks right. I know what looks right for mostly cherry and beech.

      For a try plane, you don’t want much. Maybe a gradual rounding of a hundredth or so
      in tip center projection. shavings measure thicker than actual wood removed, so you can use the center to edge length difference as a reasonable comparison to shavings (no need to adjust for angle)

      you want the try plane reasonably flat in camber as it’s really just working to the finish mark or just shy to set up for smoothing and you don’t want scalloping to any great extent. If the going gets rough, rather than adding camber, you can just back the cap iron off a little or adjust the iron so that the plane is cutting more left or right vs. being totally centered. you’ll find that if you set the plane only to cut biased to one side, it’s sort of like narrowing the iron temporarily.

      Like

  3. First I want to say a long overdue thank you. For the plane making tutorial and every other video, for taking the time to put so much down in writing, for sharing your knowledge and your opinions. I’ve been looking to your posts for insight for almost a decade, I’ve always appreciated your perspective and your working methodology.

    im stuck on something that I can’t seem to find good information about. I am trying to cut several plane blanks from a 16/4 beech board. It measures 10” across, one side being the edge/bark side of the tree. There is a section of lighter wood here, about 3 1/3 inches of the 10”.

    My question is this: how do identify sapwood, is it by color alone? Is it softer than heartwood and therefore unsuitable for a plane sole? Is part of this light coloured wood suitable and part of it not?

    Like

    1. Thanks for the compliment, Collin. Much appreciated. As far as the sap goes, it’s lighter, though once the wood gets some age, the sap and heart will look like they’re the same color unless the surface is planed again.

      Older planes generally used the sap from the tree rather than the heart – it cracks less, it’s uniform, and if it was easier to work (it is) that may have had something to do with it, so it’s perfectly fine for a plane. We are stuck with, let’s say, a lot of relatively good wood with sap and heart and the sap side will be down because it points toward the bark, and given that, if you get the plane made and the ends sealed, you’ll never have a problem.

      The sap is a little softer in the american beech I’ve used, but not in a way that will matter when using the plane.

      So, that leaves you to figuring out what’s sap and what’s heart for sure. Take one of your boards, cut and finish the ends reasonably well and put linseed oil on the ends. The heart will soak in a little, but the sap will soak in much more and when you wipe it off, it will look dry while it takes the heart a while to soak in all of the oil if it does at all.

      This differential absorption of oil is something you’ll just find if you use heart/sap wood together when you oil and wax a finished plane, but you can use it as a test to tell before then just to satisfy curiosity.

      Like

Leave a reply to arontof Cancel reply